Jan Donner

Jan Donner grew up in the Bergisches Land region and began his musical education with the piano and the drums, as well as the euphonium. 
This was followed by his studies in trombone in Hannover and Berlin. 

Teaching

In October 2022, Jan Donner was appointed as Professor of Trombone at the HfM Dresden.
Weiterführende Informationen auf: https://www.hfmdd.de/studium/blasinstrumente/posaune

From 2018 to 2022, he was a lecturer at the HMT Rostock. Since 2019, he has been teaching at the Bach-Gymnasium, a Berlin-based specialized school for highly gifted orchestral talents.

Jan has collaborated with numerous brass ensembles on a national level and taught at various masterclasses. 

Orchestral Career

Jan war Wechselposaunist im Orchester der Deutschen Oper Berlin und außerdem ein gefragter Gast in zahlreichen renommierten deutschen und internationalen Orchestern, darunter das Gewandhausorchester Leipzig, die Staatskapelle Dresden, das Gürzenich-Orchester Köln, die Staatskapelle Berlin, das Deutsche Sinfonieorchester Berlin, das Orchester der Komischen Oper Berlin und das Mahler Chamber Orchestra.

Ensemble Musician and Soloist

 

Als Solist trat er unter anderem mit der Polnischen Kammerphilharmonie, den Bergischen Symphonikern und dem Stabsmusikkorps der Bundeswehr Berlin auf. Weitere solistische Auftritte führten ihn unter anderem zum International Trombone Festival. Jan war Gründungsmitglied von 10forBrass.

 

Organ, Mediation and Mental Coaching, Music Physiology:

 

Eine große Leidenschaft von Jan ist Kirchenmusik. Am Seminar der Kirche Berlin Brandenburg Schlesische Oberlausitz hat er bis 2017 seine C-Ausbildung zum Organisten gemacht.

An der Fernuniversität Hagen absolvierte Jan bis 2020 eine Mediations-Ausbildung, an der ILS Hamburg hat er im Jahr darauf eine zertifizierte Ausbildung zum Mentalcoach abgeschlossen. Im Jahr 2022 hat Jan das Zertifikat für die Ausbildung "Musikphysiologie" (UDK/HMTM Hannover) erhalten.

Jan's Recordings

 

Check out his album "Meanwhile" (2021) available on Amazon or meanwhileCD@gmx.de.

 

Interview with Annette Zerpner:

 

Annette Zerpner: Jan, how did you become involved in music?

 

Jan Donner: Ultimately, I owe my existence to music: My parents aren't professional musicians, but they met in a brass choir. I started with piano lessons, but at some point, I was handed a euphonium with the fourth part's sheet music. "Why not give it a try?" they said. That's how I found myself in the brass scene of Lennep and its surroundings. It shaped me.

 

Annette Zerpner: Lennep is a small town in the Bergisches Land – is it still home for you?

 

Jan Donner: It's located right between Cologne and Düsseldorf. When I see a certain shade of green, I immediately know I'm home. Home, for me, is strongly linked to music: In communities like Lennep, it has a much stronger social aspect than in places like Berlin.

Diesen Aspekt vernachlässigen wir meiner Meinung nach in der Großstadt zu oft, wo Spitzenförderung stark im Vordergrund steht. Wir müssen uns aber fragen, wo die Leute herkommen sollen, die in 30 Jahren nicht im Orchester, sondern im Publikum sitzen. Das sind nämlich die „Breitensportler“ der Musik. Es reicht nicht, Kampagnen mit dem Titel „Klassik ist cool!“ oder ähnlich anzuschieben. Cool findet man klassische Musik vor allem, wenn man aktiv erlebt hat, wie sie das eigene Leben bereichert.

 

Annette Zerpner: You teach a lot, including amateur ensembles and youth groups.

 

Jan Donner: It brings me great joy to be able to impart something to young people at a crucial stage in their lives. When you don't see them for two or three weeks at ages 12 or 13, things have already changed. Experiencing this constant development, which is also reflected in their musical skills, gives me a lot in return and connects me to my own roots.

 

Annette Zerpner: You have a great passion for church music, especially works by Johann Sebastian Bach.

 

Jan Donner: This passion runs so deep that I pursued a C-level training to become an organist. Bach's organ works, his masses – everything by him has a brilliant structure, not in a flashy way, but in diverse forms that endlessly fascinate me.

 

Annette Zerpner: Which composer resonates with the trombonist in you?

 

Jan Donner: Richard Strauss. Aber ich finde mich auch in Beethovens Musik wieder, seiner Ernsthaftigkeit und einer Bereitschaft zum Kampf im positiven Sinne. Ich habe meine Ohren immer gern in unterschiedliche Richtungen geöffnet. Heute spiele ich verschiedene Mitglieder der Posaunenfamilie, also Alt-, Tenor- und Bassposaune, außerdem Basstrompete. Die Orgel begleitet mich seit langem. Und früher, vor allem zu Schulzeiten, habe ich auch Schlagzeug in einer Band oder Pop auf dem Klavier gespielt. Diese Freiheiten gehören für mich dazu.

 

Annette Zerpner: You've completed two additional training programs in mediation and mental coaching. What led you to that?

 

Jan Donner: As an orchestral musician, you spend a lot of life in a bubble where decades of excellence are the norm. This can potentially be challenging, and I want to approach it reflectively and with focus. Firstly, it's crucial for me not to lose touch with the "normal" world outside. We can't isolate ourselves while also wanting to tell stories through our music that touch our listeners. Equally important to me is maintaining a clear connection to why I started with music and chose it as a lifelong theme. There's a core that can easily get lost in the myriad distractions of our time if we don't consciously counteract it. Creativity comes from stillness, from a free mind. The mental coaching training, in particular, helps me on this path and enables me to pass on something that I consider essential.